The Endboss double-decker bus becomes a mobile editorial office that sets itself the task of finding answers to questions that no one has asked in three days and getting things moving first in the editorial office, from there onto paper and then into people’s heads. In a combination of writing workshop and city tour, content is developed on-the-spot and the necessary research trips through the city are undertaken, which are then jointly edited and turned into a magazine directly on the spot - on the bus - using Risograph. As in the exhibition itself, which is always a point of return for the rolling editorial team, the content of the magazine also revolves around “cities, people and stories”. Instead of a rigid editorial concept, however, the content is developed in the making and literally on the move in order to create new spaces and close gaps (in thought). Various research, writing and documentation techniques are used. In this way, the process of writing becomes a mobile space for negotiating urban problems and the magazine becomes a snapshot of questions that arise when you change direction.